Tuesday, December 27, 2011

Vintage Guitar Amps - Worth the Investment?

!9#: Vintage Guitar Amps - Worth the Investment?

When most people think of vintage guitar gear, obviously vintage guitars are the first thing that come to mind, but vintage guitar amps are also quite popular and have risen in popularity with both collectors and players in recent years. Buying a vintage guitar amplifier comes with its own set of rewards and frustrations. Is one for you? Let's find out.

What Makes a Guitar Amplifier Vintage?
There is no quick, easy definition of defining a vintage amp. Sure, the age matters. Any amp that's 30 years old or older is likely to have the vintage moniker attached. Generally, vintage gear is also considered to have more of a personal touch than today's mass-produced equipment. Vintage amps are by definition tube-based (though some older solid state models do crop up now and then) and are made using point-to-point wiring instead of PCB circuit boards. Names often associated with vintage amplifiers include Ampeg, Carvin, Danelectro, Fender, Gibson, Gretsch, Magnatone, Marshall, Orange, and Vox.

Advantages of Vintage Amplifiers
The main advantage of vintage amplifiers, according to aficionados, is the sound quality. For the same reason that music purists prefer tube-driven amplifiers and "old-fashioned" record players, guitar gear purists maintain that vintage amplifiers have an analog warmth and presence that modern-made gear simply doesn't possess. Vintage gear is often easier to fix than modern amplifiers that rely upon complex PCB circuit boards rather than simple point-to-point wiring.

Disadvantages of Vintage Amplifiers
For all the advantages that you hear regarding vintage amps, there are a number of disadvantages. For starters, the amplifiers are expensive, and sometimes the expense is artificially inflated rather than reflecting the true value of the gear itself. Furthermore, vintage amps can break down. A lot. User maintenance is much more of a concern. Also, given the monetary value of the gear itself, you have to be extra careful about damage and theft.

Where to Buy
You're not going to find a high quality vintage amplifier at your neighborhood Guitar Center, that's for sure. Generally, you will buy them from shops that specialize in vintage guitar equipment, though these speciality shops will also sell gear online in places like eBay. It's pretty rare for you to find a real vintage amp in a pawn shop anymore or even on Craigslist, though either is common if the seller, quite frankly, doesn't understand what he or she has. Buying vintage gear online is more common, but shipping guitar amplifiers can be tricky, so make sure the seller is experienced.

Vintage guitar amps can be a great investment as well as addition to your guitar gear collection so long as you make smart, educated choices about your purchase. With the prices of vintage gear going up constantly, your investment will only increase in value over time.


Vintage Guitar Amps - Worth the Investment?

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Wednesday, November 16, 2011

Celestion G10 Greenback Guitar Speaker, 16 Ohm

!9# Celestion G10 Greenback Guitar Speaker, 16 Ohm


Rate : | Price : $125.00 | Post Date : Nov 17, 2011 00:21:25
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This speaker was designed to capture the legendary sound of Celestion's 1970's 10s - a 10" speaker with a surprisingly meaty tone.

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Thursday, November 10, 2011

Boss FRV-1 Reverb Pedal

!9# Boss FRV-1 Reverb Pedal

Brand : Boss
Rate :
Price : $139.00
Post Date : Nov 10, 2011 08:00:26
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1963 Fender Spring Reverb Returns as a Modern Stompbox BOSS and Fender USA have collaborated to create the FRV-1, a stunning recreation of the 1963 Fender Reverb. A staple sound of rockabilly, country, blues, surf rock and even grunge rock, this tube-driven reverb sound is now available in an affordable, rugged compact pedal.

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Wednesday, November 2, 2011

Vox AC4TV All-tube practice amp with remarkable self-control

!9# Vox AC4TV All-tube practice amp with remarkable self-control


Rate : | Price : $249.99 | Post Date : Nov 03, 2011 06:27:34
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Simple and sexy, the all-tube Class A AC4TV features the same "TV" front design first used on the classic 1958 AC15. Volume, Tone and Power knobs make up the easy-to-use panel. The AC4TV features a built-in power attenuator, with 4 Watt, 1 Watt and Watt output levels - ensuring you never lose that classic tube tone, even at the lowest listening levels. The AC4TV also adds a 16 Ohm speaker output, allowing you to add an additional cabinet and state your sonic signature with authority. This all-tube Class A practice amp retains the distinctive EL84 power tube of the original and features a 12AX7.. So what are you waiting for?

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Sunday, August 28, 2011

The Ultimate Tone - A book review of Best Series guitar tube amp DIY

!9# The Ultimate Tone - A book review of Best Series guitar tube amp DIY

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This article is a review of the book in a series of six books, the most complete explanation of the architecture and clear guitar amplifier tube circuits, sound, components and construction techniques for the home, that I have ever found. The review deals separately with each title, and recommends the purchase in a specific order to grow your knowledge of your experience with the pace of construction.

Kevin O'Connor from London Power has a series of books under the general title "The Ultimate createdTone. "These books are truly unique and carefully tailored to the Do-It-Yourself (DIY) pipe hobbies, guitar amps and boutique amp manufacturers. The books have a home" feel "and all illustrations are made ... hand books and photocopies are printed on 8.5 "x11" and bound with plastic and covered with translucent plastic plugs. There are now published six books of the series with the last in the late spring of 2008. buy the ' entire series all canonce and receive a modest savings, but I think you should consider buying one at a time and digest as you go, the construction projects along the route. An important point when ... Not necessarily want to buy in numerical order. I recommend the following order:

The Ultimate Tone Volume 3 - Generations of Tone The Ultimate Tone Volume 5 - Capture tone The Ultimate Tone Volume 2 - Systems approach to the sound stage Nirvana The volume of the tone last 4 - Advanced Techniques for the ModernGuitar Amp design The Ultimate Tone - Modifying and custom built guitar amplifier The volume of the tone last 6 - timeless tone built for the future now
The Ultimate Tone Volume 3 - Generations of Tone

This is the most important book of the series for the beginning of the tube amp builders.

Chapters 2-4 lay the foundations for a well built DIY tube amplifier, the padding is in good electrical connections, grounding technology, technical lead of dressing, and other sets of wiresLayout and mechanical installation, including methods such as terminal blocks, turret and eyelet boards.

In later chapters, but only a certain "iconic" amps, each amp iconic, a prototypical example of amplifiers in its class, and are examined in detail to the circuit that are unique tonal qualities, and the fatal errors that the product is known to . Kevin, the original patterns, and then shows how you can apply the techniques detailedin the preceding chapters to improve the performance and reliability without harming the sound of the symbol. The patterns are provided by redesigned layout and mechanical solutions for each chapter, a comprehensive, independent, has worked to build-it-yourself project amp.

The Bassman, Plexi, 800, Bull Dog, AC-30, Port Flex: This process is responsible for several versions of the Champ in Chapter 5 (this chapter a lot of my single-ended amp project involved), then repeated in rapid successionSVT Bassmaster, Custom Special, Guitar Mate, Duke and Laney amplifiers treated.

If you can only buy one book for your DIY guitar amp I recommend this hobby.

The Ultimate Tone Volume 5 - Capture tone

5 is the band stopped at volume 3, with a project-oriented approach and some more sophisticated DIY tube amplifier for guitar and bass.

The book begins with a chapter on the operation of vacuum tube called looking for "tube sound" followed by aChapter electronics and features guitar pickup.

The next two chapters are small projects: Sigma effects of shift-and triple-X for switching.

Chapter 5 and 6 are of transformers ... important components, but I was yawning, I'm sorry.

Beginning with Chapter 7, can be pulled out all the stops and the project you are in paradise ... More (200W), Soma 84 (EL84 amp), Standard (the London Power Standard Preamp from 1995 coupled with a 50W amplifier with four power tubes),Double probe (mixing types of hose), AX84 (Talk about the original goal of a power amplifier, low power), Kelly (from 4 6V6s 50W) and many other minor projects.

A popular project that I made was the review of Kevin's Matchless Hotbox tube preamp pedal in Chapter 16. I built this pedal in a true "real-to-point style" (which means, terminal) in a box by Doug Hoffman foot hose from a Baxandall tone control and rework of the preamplifierDumbledore esqe values ​​(non-HRM-type).

What would you do to match the style of an amplifier Yngwie Malmsteen? See Chapter 18, "Swedish".

The Ultimate Tone Volume 2 - Systems approach to the sound stage Nirvana

Volume 2 is not oriented to the project. The main part of the book, chapters 2 to 5 deals with tricks and a comprehensive overview of power amplifiers, including tube, solid state and hybrid amps. Chapter 3, the power amplifier tube, has some very practicalAbout the mod and fixes for Marshall and Fender circuit bias.

I like the first and the final chapter of volume 2 of the best. The first chapter is a brief discussion of the stages and how your equipment on stage the best setting for the audience / band experience. The last one is in Chapter 6, entitled "Pillars of Tone" and in this chapter are the major contributors to the tone of a block-level design system guitar tube amplifier, in turn discussed and Kevin has some very valuable insightsSound design of the preamplifier / amplifier.

The volume of the tone last 4 - Advanced techniques for modern design and Guitar Amp

This is the book you want to buy, if you need to deeply entangled with the technology of the power scale, the feeling that Kevin developed. Power-scaling, and coined trademarks of Kevin's as if you are waiting in the output stage distortion (as opposed to amp distortion contrast) in the volume of sound can be in the bedroom. Volume 4 is no DIY project-oriented, butexamines the issues, including the scale damping force (both up and down), they say, and power management, supported by modern guitar tube amplifier designers to put in attack.

That is, the second to last chapter Volume 4 is important for a wider group of enthusiasts, builders ... The design philosophy. In this chapter, Kevin provides a hierarchical process design, major decisions, as you approach your next project could take.

The Ultimate Tone - Modifying and Custom Building Tube GuitarAmps

There is no volume number in the title of this book, was the first. Personally, I bought it for completeness. I especially liked the "perfect information FX 'having, even if the cycle is integrated into a project to tape 5. TUT also has some excellent material on the reverb signal and intervention methods that are not explained in other books. The first half of the TUT / panoramic tube amps, power supplies and then focuses on basic and pre-amplifierChanges in commercial amplifier amplifiers (eg Marshall / Fender) ... If you want to be completely new to the electronics of the tube, you can first band at the same time to buy Volume 3

The volume of the tone last 6 - timeless tone built for the future now

In many ways, the band 6 is the continuation and expansion of the material in Volume 4, which introduces the power scale. Volume 6 in a new "direct control" is also introduced version of Powerscaling vol. 4, butrinsed with large circuits and 'say' and keep control, as well as in 6 vol scaling new circuits have many advantages for a manufacturer to do it yourself, such as increased noise immunity and reduced sensitivity to the layout, etc.

I applied the new DC Power Scaling, and Trainwreck a similar project was really impressed with the improvement of "playability" at low volume ... the unmodified Trainwreck Express circuit is simply too strong for household use, they must be strengthenedGet the sweet tone, is known.

One of the chapters in the volume 6 is dedicated to the Dumble amp ... something I was very excited because a lot of focus on my hobbies, projects on those routes. I found this short chapter is a good introduction to the architecture of Dumble amplifiers do this from an evolutionary point of view of the first Alexander Dumble amplifiers modified standard began to be written, but I felt I missed the chapter in questionsome of the more important subtleties Dumble.

Volume 6 also has many other materials in it, including a tutorial really great design high power amplifier output and did a great chapter on design high-gain amplifier circuits with real and detailed.

In summary ...

Kevin's books have a very empirical approach. He encourages you to set aside convention in a few cases or no fear, the combinations of tubes or pipes also try to pulland clearly in all cases, explains why it is ok and does not indicate any reason why it would be ok All the examples in the book is very practical, and certainly the DIY in mind when writing.

Kevin's work is truly encyclopedic in nature, and consider that a feature sorely missing from his books, any kind of indexing ... This will be repeated by the fact that Kevin refers constantly to his early writings, rather than in a new tape is deteriorating and it is verydifficult to put your finger on the other reference book in hand. Perhaps technology of search engines like Google may have the ability to search secure content, be brought here for a charity raffle and a sort of 'auto-index "on the Internet very much for all of Kevin's books, not the book itself . Or better yet, how about an e-book format, the entire collection of books by Kevin DOING ... I think that all e-book readers are looking for ... and Kevin is hand-drawnSchemes would be appropriate scope and will have a very well read on the e-paper displays for these devices.

Meanwhile, as now Kevin's books? The best way to get books, is in direct them to London Power Press. Now you have a cart on http://www.londonpower.com.


The Ultimate Tone - A book review of Best Series guitar tube amp DIY

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Friday, August 26, 2011

Considerations for your first tube amp for guitar DIY

!9# Considerations for your first tube amp for guitar DIY

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If you decide to take the plunge and build your own guitar tube amps have, let me quickly my projects / error to help get you going in the right direction. But first make sure you really want to create your own:
It should be pretty handy around the mail already, and aware of the dangers inherent in electronic tube and high voltage safety precautions when working on tube amps They should not be an expectation that you will save ... lessYour time is nothing interesting at all probably better to buy an amp over, even by the supplier kit, but safe to use on open market

In all, but there are a lot of satisfaction in the completion and has played an amplifier built in-house and with a license to further modify / change / voice of your creation to perfection ... So let's get started:

Stumbling Through my first projects

My first project started as an AM radio, which occurredme that this frame and most components are very suitable for an amplifier octal tube Fender Champ-like single-ended and I wanted to know was the difference in tone between the concrete pipes and tube modeling amp in my Roland Cube .. . After studying some good tube amp books (see Resources), I decided on a plan:
I struggled with the old transformers (isolation held to dust, if you bend the wires), use the tube sockets, potentiometers, and poor, according to the spatial arrangement (in collaboration withThe old radio chassis is not an optimal position of key components for a guitar amp tube) Suggests that the real point to point wiring is not the best choice to experience found I could not find a non-historical-stock pentode tube microphonics The sound sucked ... In hindsight, I think it was because of disappointing, no-name, small output transformer, but I probably will not check again Bottom line, I learned a lot, but not answered my basic questionsPipe-clay, because I do not end amplifier with an iconic landmark at the end of the project

I spent several frustrating evenings redesign and revision of my first attempt and then for my second major project, I broke and I bought a kit that promised a clone of a vintage Champ amp. The main findings are:
Saving a few cents here and there on components is not satisfactory, if you end up spending a lot of time creating the project and aspects of the final resultcheap (plastic as a substitute for a light "real" pilot metal jewelry) similar or even worse ... Sacrifice of sound (such as low-cost electrolytic) I am a little skeptical of no-name Chinese and transformers that may have not even been tested hello pot let alone certified by an agency in connection with security, and who knows, what slats, etc. used in audio transformer? Small frame and body are not the best choice for adding additional features, storage and much of the circuitfrustrating to work with 8 "cone and a small suction closet ... This amp sounds good if you are in a suitable container and the combination of the speaker jacks
Guitar DIY your first tube amp project

With the above experience in mind, it's time to summarize some thoughts for the first project:
Simple project, but under-featured ... something that will be satisfactory and playable Physically large for easy access, easy mounting and dressing Well documented, well supported ... not necessarily with the operating instructions and step-by-step building instructions, but from a community forum with active and extensive Web documentation, etc. A complete set of parts, components without complex contracts Components of good quality with the ability to update it, if you want ... but the rules of moderation ... You might want to minimize a good price on the components to your imagination disadvantage if the project is not good, or lose interest. For the construction of standard-sized chassis for easy supply of cabinets or furniture, available from the supplier or, determination desire and ability (and finish) their own furniture

With the above into account my third time was the charm!

I recommend you find a reliable supplier of tube amplifier kits, and choose a model that is sound and the taste of a satisfactory number of features suitable for your first tube amp for guitar DIY!


Considerations for your first tube amp for guitar DIY

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Tuesday, August 16, 2011

Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed

!9# Fender 57 Champ Custom 5W 1x8 Tube Guitar Combo Amp Tweed

Brand : Fender
Rate :
Price : $999.99
Post Date : Aug 16, 2011 09:49:27
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The Fender Champ® amp of the late 1950s is well known as the small-but-mighty 5 Watt tone machine that belongs in every serious guitarist's collection. The tweed Champ is a terrific practice amp, and has been a prized possession of countless pro players for its great sounding, low output, easy-to-record capabilities. Most people like to turn the amp's volume all the way up, and manipulate the guitar's controls for a variety of sounds from pristine clean to swampy overdrive. It's a uniquely inspiring, complex reedlike voice. This faithful hand-wired recreation of the 1957 Champ Amp is not just for collectors or retrominded guitarists. Any player seeking the ultimate in low-powered, top-quality tube performance need look no further!

Speakers
Speaker Impedance : 4 Ohms
Speaker : One 4 Ohm, 8" Weber Special Design with AlNico magnet
Specifications
Amplifier Height : 13.5" (34.3 cm)
Amplifier Length : 7.8" (19.8 cm)
Amplifier Weight : 16.5 lbs (7.5 kg)
Amplifier Width : 12.5" (31.8 cm)
Input Impedance : 1 M Input Impedance
Power Handling : 5 Watts into 4 Ohms

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Wednesday, August 3, 2011

Fender Vibro Champ XD Electric Guitar Amplifier

!9# Fender Vibro Champ XD Electric Guitar Amplifier


Rate : | Price : $179.99 | Post Date : Aug 04, 2011 03:23:19
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Our Vibro Champ XD takes the vintage Vibro Champ into a new era with classic styling, simple controls, a good variety of clean and distorted tones and unmistakable tube feel and performance at a remarkable price. Features include a real tube amp combined with up-to-date extras including versatile amp voicing and superb DSP effects. Its solid-state overdrive and distortion eliminate many of the preamp tube problems that plague tube lovers while providing exemplary tones for rock, blues, country, jazz, metal and more.

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